a Sanskrit Grammar for Beginners by F. Max Muller

By F. Max Muller

Bankruptcy I. THE ALPHABET. § I. SANSKRIT is correctly written with the Devanragari alphabet; however the Bengali, Grantha, Telugu, and different glossy Indian alphabets are usually hired for writing Sanskrit of their respective provinces. Note-Devanagar( capacity the Nagar( of the gods, or, in all likelihood, of the Br~hmBJl9. A extra eurrent kind of writing, utilized by Hindus in 1111 universal transaclions the place Hindi is the language hired, is named easily Nagart. Why the alphabet must have been known as lI'dgart, is unknown. If derived from nagara, eity, it can suggest the o.rt of writing as first practised in towns. (PaJ]. IV. 2, 128.) No authority has but been adduced from any historical writer for the employment of the note Devan/igart. within the Lalita-vis/ora (a lifetime of Buddha, translated from Sanskrit into chinese language seventy six A. D.), the place an inventory of alphabets is given, the DevanQgart isn't really pointed out, except it's meant via the Deva alphabet. (See background of old Sanskrit Literature, p. 518.) A

Table of Contents

TAB LEO F CON TEN T S; web page; bankruptcy I-THE ALPHABET; The DcvlLllagari letters 2; § r The Devanagari alphabet three; 2 course of Sanskrit alphabet four; three how you can write the letters four; four Sounds represented through the Devallagari; alphabet four; five variety of letters five; 6 The letter!i five; ~ Jihv/lmOHya aud U padhmaniya five; eight indicators of nasals and their replacement; five; nine the 3 nasal semivowels 6; 10: Consonants with no corresponding; nasals 6; I I Auusvara prior to $, sit down, eight, h 6 * I 2 Names ofletters 7; thirteen Vowel symptoms, preliminary, medial, aud; ultimate 7; 14 Consonants via vowels 7; IS: Virama 7; sixteen mix of consonants 7; 17; The signal fOI' r eight; 18 The Virama used as a stop-gap eight; 19: The indicators for a pause eight; 20 The Avagraha checklist of compound; consonants eight; 2 I Numerical figures nine; 2"' principles of pronunciation 10; bankruptcy n-RULES OF SA~DHI; § 2 three' item and use of Sandhi eleven; 24 contrast among exterior; and inner Sandhi eleven; 25, Cla

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19. See R. Barthes, Mythologies, 112. 20. There are many works on Vedic mythology, Paurāṇic mythology and the mythology of different deities in most European languages and in Indian languages. To refer to just a few representative works in English, see W. Callewaert, Gods and Temples in South India; W. Doniger, Asceticism and Eroticism in the Mythology of Śiva; Women, Androgynes, and Other Mythical Beasts; Other Peoples’ Myths, Splitting the Difference: Gender and Myth in Ancient India and Greece; D.

35 In this way, Hindus adopted British culture without rejecting their Hindu legacy (Dimitrova 2008: 10; Dimitrova 2014: 94–95). Most of the members of the Arya Samaj were very educated: they were doctors, lawyers, merchants, and teachers, and education was of crucial importance to them. 36 The search for the new modernized Vedic man impacted the search for the new Vedic woman. The Samajists believed strongly in education for girls and argued for the creation of girls’ schools. The girls’ schools were on a smaller scale than the Dayanand Anglo-Vedic College system.

M. Meletinsky, The Poetics of Myth, 51–53. 26 DIANA DIMITROVA 13. M. Meletinsky, The Poetics of Myth, 53–72. 14. On myth-criticism, see W. M. Meletinsky, The Poetics of Myth, 73–92. 15. See N. Frye, Anatomy of Criticism: Four Essays, 131–242. For critical references to Northrop Frye, see C. M. Meletinsky, The Poetics of Myth, 81–90. 16. Y. M. Meletinsky, The Poetics of Myth, 97–98. 17. M. Meletinsky, The Poetics of Myth, 110–113. 18. See R. Barthes, Mythologies, 109–159. For critical references to Roland Barthes, see C.

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